By Rituparna Patgiri
Mobile theatre groups of Assam (known as ‘bhyrmoman natak’ in Assamese) consist of a collective of actors, singers, dancers, directors, action artists, makeup artists, workers, and the producer. The theatre group moves from place to place within the state – from villages to towns to cities as indicated by the word ‘mobile.’ Mobile theatre has become increasingly visible in Assam as a medium of entertainment and as a part of its public culture. In the present time, almost 60 theatre groups perform their plays all over the state, making mobile theatre widely popular and visible. In this paper, I intend to understand the visibility and popularity of mobile theatre from a socio-historical perspective. I argue that the emergence and popularity of mobile theatre is rooted in the socio-cultural history of theatre in Assam by using a combination of primary and secondary methods. The aim will be to unravel the circumstances and courses that led to the beginning of mobile theatre in the state.